In this context “no longer supported” just means “no longer receiving active development support”. Not “doesn’t work with the service”.

So actually no, that’s not what “no longer supported” means here, at all.

Here’s one source.

Yeah I’m fairly certain exophase just charged for Drastic because they knew it was leagues better than every single open source emulator for Nintendo DS on the Arm platform, and people absolutely would pay for it.

I mean, I guess it’s fair for people to charge for their work. But I do have to wonder if the entire project was novel, Y’know?

If it helps at all, Drastic DS is developed by Exophase, the developer behind the gpSP emulator, which is open source. Drastic is safe, and has for years been the only decent choice for Android as far as performance goes.

That said, from what I’ve just found, they’ve dropped support for Drastic, so pirating it is a good idea regardless.

Fair point with the higher bit depths and sampling rates, I just figured there was no point in overcomplicating it when it seemed there was already some form of misunderstanding.

Digital and lossless. So futuristic!

Not to mention, psychoacoustics don’t really give a damn about fidelity, so if your goal is “I want it to sound good to me” moreso than “I want it to reproduce sounds accurately” then there’s arguments for vinyl, tube amplifiers, vintage speakers, etc.

Hell I have a friend who specifically uses one of the earliest CD players because it had a 14 bit DAC and no oversampling vs 16 bit DAC, and for those few albums he really likes the digital distortion that comes with it because that’s how he first heard it.

Despite vinyl’s technical inferiority, it was those same limitations that meant vinyl actually sounded better than CD throughout a specific period. Vinyl cannot be too loud or the needle will jump off the track, making the vinyl unplayable. This prevented vinyl from dealing with the loudness wars, and brick wall dynamic range compression. So especially for the early 2000s, the masters used for the vinyl mix were often significantly better.

And, a clean record played on clean and properly set up equipment can sound really pristine, especially if copied to a digital format early in its life. You wouldn’t even be able to tell it’s vinyl.

FLAC Not to mention the fact that almost all music is recorded in .wav files nowadays, and the “lossless” versions are usually just synthetically upscaled for the audiophile crowd.

Yeah, this isn’t how that works.

“Lossless” refers to a mathematical property of the type of compression. If the data can be decompressed to exactly the same bits that went into the compressor then it’s lossless.

You can’t “synthetically upscale” to lossless. You can make a fake lossless file (lossy data converted into a lossless file format) but that serves zero purpose and is more of an issue with shady pirate uploaders.

Lossless means it sounds exactly like the CD copy, should it exist. That’s really all. And you want lossless for any situation where you’ll be converting again before playback. Like, for example, Bluetooth transmission.