- cross-posted to:
- news@lemmy.world
- cross-posted to:
- news@lemmy.world
From the article:
When we went to our seats, the wait staff let us know that despite the fact that the previews were playing, we wouldn’t know until the movie actually started whether we could see the film or not. If it didn’t work, the screen would just turn black. Luckily, the film went through without a hitch.
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The marvels of intellectual property
Remember when they started infecting people’s computers with rootkits?
I’ve avoided Sony products as best I can since then. I’m probably not aware of the full suite of Sony-owned brands and companies, but rootkit made it so I haven’t had a piece of Sony branded merchandise in almost 20 years.
Same here! It’s absolutely bonkers to me that everyone was just OK with that.
Hilariously enough, even at the theater, you’d get a better experience pirating the movie. Y’know, cause you’d ACTUALLY GET TO WATCH THE MOVIE AT ALL. Proving yet again piracy is a service problem.
capitalist efficiency at its very best
Death to America
Sony is a Japanese corporation
Japan is an American corporation
You joke, but Japan hasn’t even been allowed to have their own military since WWII. They barely are a separate nation.
That’s 2Password2Remember, they sign off every comment that way. It’s surprisingly relevant a lot of the time, though: America has had an almost unrivaled hand in shaping the economic landscape of Japan, from the San Francisco Treaty to the Plaza Accords
“Death to America” is like our version of “and peace be with you.” It’s a nice phrase to say at the end of every statement.
Death to America to you as well
1st Jan? Smells like an expired certificate somewhere in whatever chain of DRM bullshit they use.
Most likely
these are already thin profit margins, and its incredibly event-sensitive, like holidays. this sounds financially painful
So, like usual, DRM only fucked the people trying to play by the rules.
Made even worse by Sony, the manufacturer, completely exiting that market. I wonder if/how Sony will fix this, are there even staff on hand there with the technical details for their projector’s DRM anymore?
It speaks volumes about how silly DRM is when a massive game publisher like TakeTwo/Rockstar resorts to selling a pirated version of their own game 🤦♂️
The next time this happens those projectors may end up being $20000 bricks, and I’m not too sure how many independents will be able to afford dumping a quarter of a million to replace all their projector screens
Pay attention boys and girls, this is also what they want to do with over the air broadcasts with the ATSC 3.0 format.
I also assume it’s an expired certificate.
See, this is what happens when certificates are not renewed automatically.
The article says the projectos are discontinued. That’s probably the reason no one is monitoring these certs.
Another glorious benefit of DRM.
I worked as a projectionist in 2009 when the cinema got its first digital projector in order to be able to show Avatar in 3D. At the start of the movie no one actually knew if it would work. Due to the movie being encrypted - with every cinema in Germany waiting eagerly for the password - No cinema was able to play the movie. But everywhere cinemas were packed with people. Because of fuckups somewhere in this incredibly stupid system the movie was delayed about half an hour (IIRC) nationwide. With no-one knowing if it would eventually work - especially nice for the people working at the cinema having to deal with angry audience members.
At the same time the 2D 35mm film-version we also had started without any problems (it was massive and pretty dicey to carry it around).
“Sony is having trouble with their projectors”
Why not call it out for the bullshit that it is? “Sorry, but greedy bullshit capitalism has failed you as a customer. The lockouts they’ve put on their media to punish the honest users is doing its job once again to punish you. We sure hope this doesn’t lead you to find alternative ways to enjoy media without all of the DRM lockouts and garbage to punish you.”
Because if they wrote that down then they would never be able to put on another Sony movie ever again. They would be out of business in short order.
Oh dear… So anyway lol
Because I saw accounts elsewhere that Sony is only providing parts and support for these projectors now, and Alamo is changing vendors. They half assed it, not Sony.
These are all accounts I saw on The Verge and I cannot independently verify them.
So Sony sold them projectors, locked down their media, and then forces theatres to buy new projectors every x number of years to keep up with DRM? Sounds like a lot of unnecessary waste…
Good news! Sony has exited the business, and its basically Alamo’s fault they didn’t move faster on their vendor change.
These are all accounts I saw on The Verge and I cannot independently verify them.
I know these are issues with any tech but the amount of expertise and culture around 70mm film at least guarantees its continued adoption for some.
Ah, so “Company provided service, but then ditched it and now theatres are left to buy more expensive (and likely locked down) hardware in hopes the next company doesn’t pull the rug on them again”
If only there was a technology that allowed theaters to play movies in an analogue manner that they were in 100% control of. That would be cool. Why hasn’t that ever been invented?
Nothing wrong with digital, just the drm part that sucks
And the fact that your access can vanish for no reason at any time.
Also… internet crash. That’s going to be fun for folks.
Yeah, and freighting, protecting and maintaining 30mm films in cans is a pain.
There are lots of things that can go wrong with film.
Yes — but local projectionists maintain the ability to restore the ability to present the films.
When corporations are in charge of everything, humanity is a powerless minion holding its icky tiny gruel filled bowl and whining, “please, sir, May I have some more.”
This is the best summary I could come up with:
Sony is having issues with their projectors that is preventing us from being able to project movies at some of our theaters today.”
As New Year’s Day is a holiday, we somewhat understandably haven’t yet been able to reach Alamo or Sony spokespeople, and not every theater or every screening was affected.
That didn’t stop Alamo from blaming its Sony projectors for what at least one theater called a “nationwide” outage, however.
“Due to nation-wide technical difficulties with Sony, we aren’t able to play any titles today,” read part of a taped paper sign hanging inside a Woodbury, Minnesota location.
I’ve seen speculation on Reddit that it may have something to do with expired digital certificates used to unlock encrypted films, but we haven’t heard that from Alamo or Sony.
Sony reportedly exited the digital cinema projector business in 2020; all of the company’s existing models are listed as discontinued.
The original article contains 257 words, the summary contains 150 words. Saved 42%. I’m a bot and I’m open source!
Is there any reasonable level of IP protection/DRM which may be employed by movie studios?
Should all films have simultaneous worldwide cross-platform releases, never theater only? If not, it seems some kind of defenses on the high-quality digital files for theaters would be a rare case where DRM seems somewhat justifiable… assuming it’s robust (beyond mergers/closures of the provider), and consumers never have to think about it.
Would love to hear arguments both for and against any protection schemes for any film ever.
The way we murder DRM is by it affecting the business bottom line.
This might be an offense worthy of litigation if Sony is not sufficiently contrite.
It’s telling how unfriendly the DRM is, that it doesn’t inform the protectionist of problems until the minute the show starts.
Sony is a real dick.
DRM only affects paying customers. It plays no role in effectively combatting piracy.
Only good service and good pricing is effective against piracy.
While I completely agree with you based on the data, DRM is absolutely sold to publishers on the pretense that it combats piracy, at least with keeping paying customers from engaging with media in ways the publishers don’t like (such as lending content or selling that content used in a secondary market).
And yes, the more draconian their restrictions, the more they drive people to resources that provide cracked or DRM-free content. That said, Sony is notorious for going to extreme lengths to severely limit use of their content outside narrow consumption, often with obligatory ad-viewing, driving people to either piracy, or avoiding Sony content at all.
At one point, I might have been interested in playing Horizon Zero Dawn and went from buying it, to getting a refund to thinking about pirating it to eventually deciding I cannot be bothered. But then I steer clear of most AAA game companies, now.
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This is without a doubt the dumbest timeline
I’ve seen very few leaks of digital prints intended to play in theaters on torrent sites. Either this DRM is unusually effective or pretty much unnecessary.
80% certain it’s DRM to stop theatre owners from pirating it between each other and not to stop the public from having those copies
Come to think of it there’s probably something to make sure theaters are completing the number of contractually obligated screenings too. Like a 3 person screening is probably a loss for the theater, but not revenue distributers want to lose out on.
Why would a theatre owner help their competition?
Multiple theatres owned by one mother company / investor / whatever you get what I kean
Buy the rights for one location/franchise to run it then copy to your other locations to save cost
The staff commented “we can only know if it works when the movie starts”, and this sentence is let me thinking “expensive royalties would be automatically paid every single time the play button is pressed”
Fuck them. Alamo Drafthouse is a bad company who got bought out by a hedge fund. They treated their employees like they’re slaves. They used to make people clock out to clean the public bathrooms and theaters. Their justification “you get tips”.
All the food is gross and handled by the most subservient drug addicts or drunks they can find.
They replaced a lot of experienced management with fresh grad students who had no culinary experience and the blame was shifted to the back of house staff.
If you ate at any of them you probably ate stuff that fell on the floor because since the wait staff is afraid of both the management and the customer they’d take it out on the cooks who give free floor seasoning to impatient people when accidents happen.
I saw a cook impale their foot with a knife, the manager make fun of them, they rinse the knife, sanitize it in dish, and they chop up mushrooms with it. I reported it to the health inspector and my car’s windshield happened to get busted when the camera didn’t work.
